MULTIPLE ANGLES — one plate, three virtual cameras

In Video 1, re-shoot the same continuous live-action moment from a different camera position: the same office, the same three people, the same performance, seen from a camera that is 1.6 metres further back on the same side of the desk, with a wider 24 mm lens.

integrated_multimodal_description:
[Shot 1] Live-action, cinematic, naturalistic office drama. A wide medium shot from the same side of the paper-covered desk as Video 1, but the camera now stands 1.6 metres further back with a wider 24 mm lens, so the whole work table and all three adults are visible from mid-thigh upward, with the office around them. The grey-haired woman in the dark navy blazer leans over the desk with both hands among the papers in the centre of frame; the curly-haired woman in the loose beige blouse stands to her left in three-quarter profile; the tall Black man in the open grey overshirt stands behind them to frame right with his hands at his hips. They continue the exact performance of Video 1: every glance, head turn, hand movement, paper movement, eyeline, pause and timing is identical, only the camera has moved. Soft daylight comes from the window wall on the left of the room and falls across the desk exactly as in Video 1. The room keeps the same rows of office desks, black chairs, hanging rectangular ceiling lights, white columns and window mullions. Static Shot, no camera movement. Preserve the same people, faces, hair, clothing, colours, ages, the same papers and desk objects, the same background geometry, the same lighting direction, intensity and softness, the same exposure and colour grade, and the same motion and timing. Do not add, remove, replace, move, duplicate or invent any person, prop, lamp, window, chair, paper, door or background detail. Do not change the story action. No cut, no shot change, one continuous shot.

overall_soundscape:
The same room tone and the same dialogue performance as Video 1, with the same timing: quiet office air, distant movement in the open-plan room, papers shifting on the desk.

non_diegetic_music:
None.

In Video 1, re-shoot the same continuous live-action moment from a different camera position: the same office, the same three people, the same performance, now seen from the window side of the room, roughly 45 degrees around the group from where Video 1 was shot, looking back across the desk toward the inside of the office.

integrated_multimodal_description:
[Shot 1] Live-action, cinematic, naturalistic office drama. A medium-wide shot from the window side of the room, 45 degrees around from the camera position of Video 1, with a 40 mm lens looking across the paper-covered desk toward the interior of the office. The grey-haired woman in the dark navy blazer, who is nearest the desk, is now seen from her far side in three-quarter profile; the curly-haired woman in the loose beige blouse is farther away in the middle of frame; the tall Black man in the open grey overshirt is to frame right behind them. Soft daylight now comes from behind and beside the camera, from the same window wall as in Video 1, so the light falls on the faces and the desk from the side that the windows actually are, with the same softness and the same exposure. They continue the exact performance of Video 1: every glance, head turn, hand movement, paper movement, eyeline, pause and timing is identical, only the camera has moved. The room keeps the same rows of office desks, black chairs, hanging rectangular ceiling lights, white columns, window mullions and shelving. Static Shot, no camera movement. Preserve the same people, faces, hair, clothing, colours, ages, the same papers and desk objects, the same background geometry, the same lighting direction, intensity and softness, the same exposure and colour grade, and the same motion and timing. Do not add, remove, replace, move, duplicate or invent any person, prop, lamp, window, chair, paper, door or background detail. Do not change the story action. No cut, no shot change, one continuous shot.

overall_soundscape:
The same room tone and the same dialogue performance as Video 1, with the same timing: quiet office air, distant movement in the open-plan room, papers shifting on the desk.

non_diegetic_music:
None.

In Video 1, re-shoot the same continuous live-action moment from a different camera position: the same office, the same three people, the same performance, now seen from directly above the desk, looking straight down.

integrated_multimodal_description:
[Shot 1] Live-action, cinematic, naturalistic office drama. A high-angle overhead shot with the camera 3.5 metres above the paper-covered work table, looking vertically downward, a 28 mm lens, so the desk and the tops of the three adults fill the frame. This is a plan view: the edges of the long work table run almost parallel to the frame, thick with files, folders, loose papers and glossy photographs. The grey-haired woman in the dark navy blazer stands at the near long edge with both hands spread among the papers; the curly-haired woman in the loose beige blouse stands at the left end of the table; the tall Black man in the open grey overshirt stands at the far long edge on the right. Only their heads, shoulders, arms, hands and clothing are visible from above, in their true positions around the table. Soft daylight from the window wall comes in from one side of frame and falls across the desk and the floor with the same softness and the same exposure as Video 1. They continue the exact performance of Video 1: every hand movement, paper movement, head turn, pause and timing is identical, only the camera has moved. The room keeps the same rows of office desks, black chairs, hanging rectangular ceiling lights, white columns, window mullions and shelving. Static Shot, no camera movement. Preserve the same people, faces, hair, clothing, colours, ages, the same papers and desk objects, the same background geometry, the same lighting direction, intensity and softness, the same exposure and colour grade, and the same motion and timing. Do not add, remove, replace, move, duplicate or invent any person, prop, lamp, window, chair, paper, door or background detail. Do not change the story action. No cut, no shot change, one continuous shot.

overall_soundscape:
The same room tone and the same dialogue performance as Video 1, with the same timing: quiet office air, distant movement in the open-plan room, papers shifting on the desk.

non_diegetic_music:
None.

In Video 1, restore and finish the shot. Video 1 is a rough re-projection of the moment at a new camera angle: the geometry and framing are correct, but the image is smeared, has seams and blank patches. Render the same moment cleanly at exactly that camera: the same office, the same three people, the same performance, at the same camera height and position, with the same lens.

integrated_multimodal_description:
[Shot 1] Live-action, cinematic, naturalistic office drama, medium-wide shot from the window side of a paper-covered work desk, looking across the desk toward the interior of the office at roughly 45 degrees to the original angle. The grey-haired woman in the dark navy blazer stands at the desk with her hands among the papers; the curly-haired woman in the loose beige blouse stands to one side in three-quarter profile; the tall Black man in the open grey overshirt stands behind them on the other side. Their positions, faces and body orientations match Video 1 exactly, but rendered cleanly and sharply, with correct perspective, correct occlusion between them, and no tearing, smearing, duplication or ghosting. Soft daylight comes from the window wall on the original camera's left, which is now behind and to one side of the camera; it falls across the desk and the faces with the same softness, colour and exposure as Video 1. The room keeps the same rows of office desks, black chairs, hanging rectangular ceiling lights, white columns, window mullions and shelving seen in Video 1. They continue the exact performance and timing of Video 1: every glance, head turn, hand movement, paper movement, eyeline, pause and timing is identical. Static Shot, no camera movement. Preserve the same people, faces, hair, clothing, colours, ages, the same papers and desk objects, the same background geometry and furniture, the same lighting direction, intensity and softness, the same exposure and colour grade, and the same motion and timing. Repair the image only: do not add, remove, replace, move, duplicate or invent any person, prop, lamp, window, chair, paper, door or background detail, and do not fill blank areas with new objects. No cut, no shot change, one continuous shot.

overall_soundscape:
The same room tone and the same dialogue performance as Video 1, with the same timing: quiet office air, distant movement in the open-plan room, papers shifting on the desk.

non_diegetic_music:
None.

LoadVideo(plate) -> GetVideoComponents -> MiniMaxH3ReferenceToVideo.ref_videos.ref_video_0
                                    -> .ref_video_audios.ref_video_audio_0
LoadVideo(guide) -> GetVideoComponents -> MiniMaxH3FunControlNetApply.control_video   [approaches A and B]
ModelPatchLoader(controlnet_union_2.0_pruned_int8) -> .model_patch
UNETLoader -> MiniMaxH3FunControlNetApply -> BasicGuider.model AND BasicScheduler.model
MiniMaxH3ReferenceToVideo -> CONDITIONING -> BasicGuider ; -> LATENT -> SamplerCustomAdvanced
RandomNoise(seed) / KSamplerSelect(euler) / BasicScheduler(simple, 20 steps, denoise 1.0)
SamplerCustomAdvanced -> VAEDecode -> CreateVideo(24 fps) -> SaveVideo(h264)
Approach C: the warped clip replaces LoadVideo(plate) on the reference channel; no ControlNet.